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Photographic documentation and production: Paula Viitanen / Realization and editing and of the photograph of the neck: Graeme Wahn
Even though its presence is slim, and its most visible part is the large photograph of a neck—printed on textured vinyl—Nobody. Unclenching the fist. is not only an image. It has spatial depth and needed to be walked around to get inside the gallery. Because of its location right at the gallery’s entrance, its angled position within the space, and its apparent mobility, I labeled it as architectural intervention. It is a shy one, since it does not alter any given procedure of the space. It is not at all a monument despite its monumental dimensions, but rather alludes to landscape, and considers topography by dissecting and mixing geometrical, narrative, and material elements. Assemblage seems to be an appropriate term.
The whore of our consciousness
(Diana María González y Maj Britt Jensen)
The one who says girls...
The series on wonder woman
My first move
OFFSIDE! - we have a swimming pool -
Jonathan Miralda vs Maj Britt Jensen
HISWOMAN
Jonathan Miralda y Maj Britt Jensen
FROM THE LEFT HAND TO THE RIGHT FOOT
(TRAVERSING THE NAVEL)
FROM THE LEFT HAND TO THE RIGHT FOOT
(TRAVERSING THE NAVEL) - sunset version
Nobody. Unclenching the fist.
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