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Maj Britt Jensen

/   The series on Öyvind Fahlström, 2006

I started to review and retake elements from Öyvind Fahlström’s work, due to the way in which he structures his paintings that, at the end, render a sequential reading impossible. He does not take us from the upper left wide to the lower right side, neither does he establish a hierarchy, nor does he point out the importance of the parts from their sizes; all his segments are, from the moment of their construction, independent and equally important.

 

These drawings show architectural spaces that by displaying allude to a vital and uncertain space: the space of the action.

FROM THE LEFT HAND TO THE RIGHT FOOT

(TRAVERSING THE NAVEL)

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